Based off of my methodology designed from the first object
exercise the steps that will be included in the methodology will be 1st observation, 2nd step will be the imagination phase, 3rd
step will be the analysis phase. The object that I was assigned was a women’s
honeymoon/newlywed dress called a Trousseau dress. My dress was dated back to
1888 and was made in Paris, France.
The first step
is the observation phase. During my observation of my object I found many
exciting things. My first observation was that the dress was done professional
by a seamstress and it was done very well. The dress was two pieces, the top
section and the bottom section. The dress was made at the end of the bustle
period, thus the dress had less emphasis on the backside but still did draw
attention to the bustle region. The dress looked like it had some padding on
the back side; however not as much padding that was associated with the bustle
period. The bottom of the dress measured 38.5” from the waist to the feet.
The top
went from the shoulders down to the high waist and the bottom of the dress
started from the high waist and went down to her feet. The top of the dress had
a v-neckline in the front that would reveal more of her cleavage and the
v-neckline was also present in the back of the dress. On the top of the dress
on the front there was small round buttons in the center that looked that they
closed the bodice of the dress. The top of the dress was very form fitting, it
was boned and would have sat very snug on the young woman. We were unable to
determine what kind of material was used for the boning of the dress; however
we could assume that it was from whale because of how expensive the dress
looked. The top measured 18.5” from the top center of the V-neckline to the
waist. The top also measured 13” from the center of the top to the side, which
would be roughly a 26” waist measurement from one side of the dress to the
other side. The dress went from the shoulder to the elbow of the young woman.
The dress was
woven and made out of silk and also had machine factored lace throughout the
dress, which demonstrated that the young lady had a lot of money. The colors
that were used in the dress were green, darker cream, and red. The creamer
looked darker because one could tell that the dress was older thus the cream
fabric darkened a tad, but still the colors looked amazing with one another.
The dress was made of silk ribbons that were the color of green and cream. Also
I noticed that there were red rose buds on the cream fabric. The colors of the
fabric were a pattern in which the cream with the red rose buds was alternated
with green silk. The amount of colored ribbon looked varied, in which roughly
the cream fabric looked approximately 2” wide and the green ribbon looked
approximately 1” wide. The same pattern
of silk ribbon was also found on the top of the dress as well, therefore the
top and bottom of the dress mirrored one another.
The dress
had a considerable amount of lace on it as compared to the other Trousseau
dress. The neckline of the dress was trimmed in lace along with the center
front opening for the bodice. Lace was also designed on the sleeve of the arm in
which it went from the elbow to the wrist. The skirt of the dress also has
draped lace throughout the patterns of silk, the largest amount of lace on the
skirt was found on the backside where the bustle was placed. The bottom of the
skirt was also trimmed with lace as well. The color of the lace was cream which
matched the cream ribbon that was used throughout the dress.
The next
phase is the imagination phase, during this phase I place myself in the shoes
of the young woman who bought this dress and think about what the dress would
feel like to wear. Unfortunately when we saw our objects we were unable to feel
the dress, however since the dress is made out of silk it would be safe to
assume that the dress would feel nice on the skin. My initial thought of the
dress was that the skirt had a lot of fabric and material, thus I believe that
skirt would feel heavy on the hips when wearing it. As compared to the top of
the dress which did not look like there was as much fabric used for it. The top
of the dress had built in boning and was designed to fit the woman snug,
therefore when the dress was buttoned fully it would sit very tight on the
woman’s waist and would naturally create a bust line, even if the woman was not
fully chested. Looking at how the bottom of the dress was created, the skirt
looked fuller therefore the woman squeezed herself into the top and was able to
let things fall as they would in the bottom of the dress.
The final
step is the analysis phase. Based on the historical research that I did
regarding a Trousseau dress, the dress was bought for the honeymoon of the
young lady. Since the dress was made in Paris, France we assume that the dress
was purchased while she was on her honeymoon. The woman wore this dressing
during the afternoon because of how the dress was cut. Historically women would
reveal more as the day went on. Therefore, it was normal for a women to start
her day off more covered up then when she was changing into her afternoon
outfit she would reveal more cleavage and more defined curves and this was
socially acceptable. I soon began to think that in order to have multiple
outfits for one day; the woman would have to be wealthy. Having the ability to
change into multiple outfits throughout the day demonstrated how wealthy you
were and allowed the woman to flaunt it to her friends. I am going to also take
it a step further because I believe that this allowed the woman to show what
social class she belonged to simply because she had the ability to change into
an afternoon dress. Therefore, due to the amount of lace that was found on the
dress as well as the dress being made in Paris, France the woman who owned this
dress came from a wealthy background and was able to have multiple outfits per
day.
I am
planning to continue expanding the historical research of the Trousseau dress.
The research I did was preliminary information to give me a good grasp on my
article of clothing. Therefore, I am going to next focus more on the history of
the dress itself and also the social implications that were associated with the
dress. I will attempt to support the claims that I drew during my analysis
section.
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